Quentin Tarantino's amazing WWII drama "Inglourious Basterds" is killing its box office competition, but what do the Web's critics have to say about the film starring Brad Pitt, Eli Roth, Diane Kruger and Christoph Waltz? Here's what:

• CinemaBlend's Josh Tyler: "'Inglourious Basterds' is a flawed premise turned into a flawed story full of characters so unique and vibrant, delivering dialogue so intense and captivating, that it’s worth putting up with what’s missing."

• Todd Gilchrist @ Cinematical: "Suffice it to say it's undeniable that the film could easily be trimmed by 20 minutes of so without losing its emotional core – and indeed, perhaps picking up a stronger dramatic momentum."

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"Funny People" marks Judd Apatow's third directorial effort, and it stars Seth Rogen, Adam Sandler, Eric Bana, Jonah Hill, Leslie Mann and Jason Schwartzman. Here's what some of the Web's critics have to say about the drama-comedy:

• Katey Rich @ CinemaBlend: "The best we can hope for is that Funny People is a necessary middle ground between Apatow's adolescent experiment and the more adult stories he has yet to tell."

• RopeOfSilicon's Brad Brevet: "Apatow's ability to keep me curious as to where he was going to take things next was this film's saving grace in my case."

• LatinoReview's Ron Henriques: "Though the third act is problematic, 'Funny People' works when Sandler and Rogan are either interacting humorously or discussing gag material and the nature of comedy."

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Gerard Butler and Kathering Heigl first hate, then warm up to each other in Robert Luketic's romantic comedy "The Ugly Truth," about a TV producer struggling to keep control of a ruthless host. Here's what some of the Web's critics have to say about the film:

• Cinema Blend's Katey Rich: "As the story wraps up and everyone gathers round to watch Mike and Abby come together at last, it's disturbing to realize that no one in this movie has actually learned anything."

• Cinematical's Jeffrey M. Anderson: "The answer is because The Ugly Truth actually knows next to nothing about dating advice, the behaviors of men and women, or much of anything else romantically human. It's a factory widget created in a boardroom."

• Joblo's Chris Bumbray: "It`s just a real shame that this is what passes for a rom-com these days."

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Harry and his gang are back in David Yates' "Harry Potter and the Half-Blood Prince," the sixth installment in the popular series. Daniel Radcliffe, Rupert Grint, Emma Watson, Michael Gambon, Jim Broadbent and Alan Rickman star, and here is what the Web's critics have to say about the movie:

• CinemaBlend's Josh Tyler: "Instead of action it substitutes dramatic tension which builds throughout the course of the movie."

• Brad Brevet at RopeOfSilicon: "Even though I wasn't bowled over, 'Half-Blood Prince' never felt like it was two-and-a-half hours long and I would have gladly sat through another five hours if parts one and two of 'Deathly Hallows' were ready right now…"

• Joblo's Jenna Bush: "You would think this would all start to get old after a while, but the truth is, it hasn't. And film number six is the best of the lot."

• LatinoReview's Ron Henriques: "Still, at the end of the day, it often feels like nothing more than a group of people waving magical twigs around."

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Chris Columbus returns to the big screen with a raunchy comedy entitled "I Love You, Beth Cooper," starring Hayden Panettiere, Paul Rust and Jack Carpenter. Story follows a hot chick showing a nerd the night of his life. Here is what some of the Web's critics have to say:

• CinemaBlend's Katey Rich: "Poor 'Beth Cooper', so unloved, so ditched on a weekend when it's sure to be crushed by 'Bruno,' so uninteresting even to the people who created it."

• RopeOfSilicon's Brad Brevet: "I haven't been this annoyed at a movie in a long time and the film is so full of flaws pegging something down specifically wasn't easy."

• Collider's Matt Goldberg: "'Beth Cooper' is not a disaster and if nothing else, Paul Rust’s lead performance made it worth my time."

• Kevin Carr at FilmSchoolRejects: "Hayden Panettiere is given a chance to headline a movie, but she’s woefully miscast."

• Joblo's Chris Cumbray: "All in all, I did not love 'BETH COOPER.' In fact; I downright loathed it at times."

Vassup! Sacha Baron Cohen returns to the big screen with "Brüno," about a gay Austrian fashionista who travels to Los Angeles to become the world's biggest star. Now, here's what some of the Web's critics have to say about the flick:

• Josh Tyler at CinemaBlend: "Though it’s missing all the relevance and subtly of 'Borat' some of the laughs are still there and so is much of the uncomfortable silence in which ordinary people are confronted with Cohen’s bizarre behavior."

• Joblo's JimmyO: "So yeah, 'Bruno' is outrageous, sick and offensive but pretty damn hilarious."

• Landon Palmer at FilmSchoolRejects: "Will 'Bruno' make you laugh throughout? Probably. Will moments of it shock and appall you? Most likely."

• Brian Orndorf at brianorndorf.com: "'Bruno' contains plenty of belly laughs, audible gasps, and provides a sly refresher on obscene civilian prejudice, drilling to the cancerous heart of intolerance one laugh at a time."

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Cameron Diaz, Jason Patric, Alec Baldwin, Abigail Breslin and Sofia Vassilieva star in Nick Cassavetes' latest drama "My Sister's Keeper," based on the popular novel by Jodi Picoult. Here's what some of the Web's critics have to say about the flick:

• CinemaBlend's Katey Rich: "It feels unbelievably cynical to start giggling during a movie about a girl with cancer, but My Sister's Keeper is just as cynical, calibrating its every move to get us to cry so hard we recommend the movie to our friends."

• Peter Martin at Cinematical: "It's a disappointing step back for Cassavetes after the vim and vitality that infused his most recent effort, 'Alpha Dog.'"

• Kevin Carr at FilmSchoolRejects: "However, the emotional jabs just seemed a bit too calculated and deliberate to fool me."

• Brian Orndorf at BrianOrndorf.com: "It’s a tear-jerking Terminator, an unstoppable force that beats the screen with tragedies of all shapes and sizes, looking to wear down the viewer until they’re a puddle of tears and snotty tissue."

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Michael Bay's sequel "Transformers: Revenge of the Fallen" has finally landed in theaters, and Shia LaBeouf and Megan Fox return to run from a bunch of angry robots. Bay promised a whole lot more action and more robots, and here is what some of the Web's critics say about it:

• Todd Gilchrist at Cinematical: "In other words, it may or may not be good enough, but it quite literally gives you everything imaginable that can be explored within its premise."

• CinemaBlend's Josh Tyler: "What should have been the ultimate summer spectacle is the ultimate in blockbuster over-indulgence, an already excess prone director given too much freedom and too much money to do everything he wants all at once."

• RopeOfSilicon's Brad Brevet: "I went in expecting nothing more than 150 minutes of mindless noise, bad jokes and breast shots, and that's exactly what I got."

• Ron Henriques' Latino Review: "Never thought I'd say it, but something as lame looking as that other Hasbro film 'G.I. Joe' now looks better than this, but I've been fooled before..."

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Jack Black and Michael Cera play two cavemen who go on a big adventure in Harold Ramis' comedy "Year One," and here is what the Web's critics have to say (read my review here):

• Joblo's Jenna Bush: "The film has very little narrative, and what there is seems to be dumped half way through."

• Cinematical's Jeffrey M. Anderson: "Black is a good reason why most of this works."

• CinemaBlend's Josh Tyler: "'Year One' has no point, no purpose really other than stick Jack Black and Michael Cera in loincloths so they can wander around in front of the camera."

• Latino Review's Ron Henriques: "I absolutely can not recommend this film, but I felt a little sad because it had some potential."

• Brad Brevet at RopeOfSilicon: "Ramis racked up the talent to give this story a run, but it never got out of the starting gate."

• Matt Goldberg at Collider: "Without any memorable humor, story, or characters, 'Year One' is a pointless endeavor and offers us nothing we haven’t seen or heard somewhere else before."