Review: "Death Race"
Saturday, August 23, 2008 at 7:40PM | By
Franck Tabouring 

Seen on: August 22, 2008
The players:
Director: Paul W.S. Anderson, Writer: Paul W.S. Anderson,
Cast: Jason Statham, Joan Allen, Ian McShane, Tyrese Gibson, Natalie Martinez
Facts of interest: Based on 1975's "Death Race 2000."
The plot: A man (Statham) is framed for his wife's murder and forced to participate in a brutal car race in which drivers must kill each other on the road to victory.
Our quick thoughts: For the most part, Paul W.S. Anderson’s “Death Race” offers you exactly
what the trailer and TV spots promised: brutal, fast-paced car racing.
That’s what you should expect if you plan to see the flick, because
that’s all you get for the price of admission. Surprisingly, “Race” is
not that bad of a big-screen experience. It’s utterly brainless, sure,
but it’s also efficient enough to offer some of you a darn good time.
Based
on Paul Bartel’s “Death Race 2000,” the film is set in the near future,
when people in North America are suffering from the consequences of a
collapsed economy. Crime rates are through the roof and private
corporations are running most of the country’s overcrowded prisons. In
an attempt to get rid of some inmates, a ruthless prison warden (Joan
Allen) invents Death Race, a violent race during which prisoners must
kill each other on the road to victory. The winner of the race will
regain his freedom.
Jason Statham plays lead character Jensen
Ames, a former NASCAR driver who ends up getting hard time after being
framed for his wife’s murder. Forced to participate in Death Race,
which by the way is streamed online for everybody who agrees to pay a
fee, Ames must fight to stay alive until the very end if he ever wants
to the return to the life outside the prison walls. But Ames is a much
cleverer guy than the rest of the racers, which is why he quickly puts
the pieces together and uncovers the true reason behind the deadly
competition.

As long as the cars are out on the track,
everything is fine and “Death Race” is rather enjoyable to watch. The
film’s numerous action scenes may not break new ground, but they are
well coordinated enough to keep your eyes glued to the screen. In fact,
Anderson is so close to the action with his cameras, it’s hard not to
be impressed with some of the stunts and visuals he and his crew managed to pull
off. Watching these pimped cars engaging in an ultra-violent, explosive
battle is a guilty pleasure for the most part, primarily because none
of the characters is speaking too much and there’s no room for bad
storytelling.
In between the stages of the race however, the
movie completely breaks down. Whatever you do during your screening,
please don’t use your brain and ask questions, because the script is
completely devoid of logic. For instance, how does Allen’s character
even reach millions of viewers who are willing to pay $250 to see the
race online when in fact nobody even has enough money to feed their
own family? And what’s the point of having navigators in a car when all
they do is occasionally push a button point the drivers to shortcuts?
I’ll stop right here because I’m sure you get the picture already.
Anyway,
the plot is quite predictable and the film clearly fails to deliver
suspense when no one is out on the road. Ridiculous dialogue and absurd
twists dominate most of these scenes, leaving cinemagoers wondering at
times if they took a wrong turn somewhere on the way to the theater.
Why didn’t Anderson just stick with the silly non-stop action instead
of setting up a bunch of intrigues that eventually misfire anyway?
We’ll never know.

The biggest joke in “Death Race,” however,
is its disappointing ending, which clearly fails to deliver the kind of
bombastic showdown you would expect in this kind of flick. What we get
here before the finish line is embarrassing and far less exciting than
some of the plot's earlier sequences.
A stronger point in the film is
the cast. Jason Statham was born for this kind of roles, and he
delivers a powerful performance as Jensen Ames. Ian McShane adds a
little humor to the pic as Coach, who takes care of Ames’ Mustang and
serves as a roadside assistant during the race. Also starring is
Natalie Martinez, who doesn’t get to say much but mostly looks hot. As for Joan Allen, she’s just terrible. I don’t know what she was
thinking in the first place when she signed up for this, but I just didn’t buy her
performance.
Freaky quote: “I am offering you your freedom. All you have to do is walk off that track alive. And win, of course." – Joan Allen
The final word: I may have complained a lot about the movie up to this point, but “Death Race” is not a disastrous failure. You will likely get your money’s worth if you walk into the movie expecting nothing more than you’ve seen in the previews, but in case you start looking for more than just a bunch of car stunts, tons of explosions and violent kills, all hope is lost. “Death Race” is entertaining enough as long as the engines are running. If only they ran for the films’ entire 90 minutes.
Article by Franck Tabouring












Reader Comments (1)
The movie industry is relying so much on remakes, prequels and sequels. Originality seems to be a dying breed.
What was once a low budget piece of social commentary, turns into an over the top predictable action flick.
Don't get me wrong, I think Statham is a great in these action roles. The Transporter films, while containing little story line, were jam packed with explosive fast paced action sequences. In a film like this his acting doesn't suffer, he's just doesn't have much of a script or direction to work with.
With a remake a writer/director always tries to update and not try to copy the original. Yet, there was so many things they could have thrown in from the original. (ex. Keeping them in a confined track and not the open highways. Or using the random deaths as points) One of the points originally made that would come greatly into play now would be the whole televised reality show aspect.